qualified but not certified

Showing posts with label javier bardem. Show all posts
Showing posts with label javier bardem. Show all posts

Sunday, April 3, 2011

Biutiful

Dir. Alejandro Gonzalez Inarritu
Starring. Javier Bardem

Sometimes life is just too good. Sometimes you walk down the street thinking, "Gee, the world is really a great place and I'm happy to be a part of it." If you find yourself afflicted with such unfortunate thoughts, I urge you to take a nice big dose of Biutiful, a film guaranteed to remind you that the world is a horribly, disgracefully, absurdly, inexplicably mean, angry, heaping pile of shit. Fortunately however, the film is not. (A pile of shit, that is). In fact, despite it's depressing nature, it's utterly captivating; a deeply moving portrait of the often ignored darkness and desperation of life. It's a film that should be seen (even if you can only manage just the once), because it universally and realistically addresses themes of death and spirituality and love and survival and redemption; all of those big ideas that are constantly looming over us wishing we gave them the attention they deserve.

These themes are portrayed through the story of Uxbal (Javier Bardem), a (mostly) single father with a strong connection to the spiritual world. As his own health begins to fail, he goes through what any person would when faced with the harsh reality of their own mortality. He struggles to find peace within himself and with those around him as his time slowly runs out. But this is no "Bucket List" or "Last Holiday" (which, in case you've forgotten, is that movie where Queen Latifah gets diagnosed with a terminal illness and goes on one last holiday with LL Cool J. I know, I too wish I hadn't brought it up). His world is a harsh one, living on the margins of society in Barcelona, surviving on various illegal dealings, and desperate to support his two children despite his conflicted relationship with their bipolar mother. Is it possible to make things right in such a complicated world and does it even matter once we are gone? It's a difficult question and one that Uxbal must face before it is too late.

I can't deny the hold that this film had over me, and as difficult as it was at times to watch, I felt that somewhere in the story there was an undercurrent of hope. Perhaps this was in the father's unwavering dedication and love for his children, a part played with such depth and force by Javier Bardem, you'll find it hard to believe he has ever acted as anything else. There were several supernatural moments in the film that I found to be a bit superfluous as everything else was so grounded in a gritty, seedy realism. Other than that, the dramatic elements of the story and the conflicts of each character entwine effortlessly at the guiding hands of writer/director Alejandro Gonzalez Inarritu, who proves that he can still tackle major themes without the use of an ensemble of characters and stories. The simplicity and the focus of one man's journey is really what sets Biutiful apart from Inarritu's other works and makes it a truly engrossing film to watch.

Monday, January 3, 2011

The Worst of Natalie Portman

Trust me, this hurts me as much as it hurts you. I can't remember a time when I didn't idolize Dame Natalie the Duchess du Portman. But now that everyone else has officially jumped on the bandwagon, I thought I would take the time to remind us all that the girl is human.

Goya's Ghosts (2006)
Genre. Really Sad
Dir. A guy that did some other good stuff

Starring. Anton Chiguhr, The Portster, One of the Saarsgaards


It's been a long time since that fateful day when I brought Goya's Ghosts home from Blockbuster (yes, we were still going to BLOCKBUSTER. That long ago.) So I'm afraid I can't offer a very thorough critique. But I'll try. Now, this was a time before the gentle guidance of Netflix's ratings and recommendations system, when we were forced to spend hours wandering aimlessly through aisles of thousands of DVDs, with naught but the cover design and the quotes of critical acclaim that often graced them to guide us in our choice. Goya's Ghosts obviously caught my eye because of the talented cast and because it boasted the same director as Amadeus and The English Patient. Unfortunately this promising combination proved unworthy of my $2.99 rental fee plus the cost of gas to and from Blockbuster. A fellow critic who writes for imdb.com message boards and goes by the name of Epicureum called the film "just another anglo-saxon libel full of furibund anti-Spanish racism and historical lies about Spain."

Well I don't know about that, Epicureum, but I do know that the film sucked. What I now recall, and what I evidently attempted to block from my memory, is the part in the film in which Natalie looks like this (image NSFW):

Jesus. No wonder I hated it.

Natalie Raps (2006)
Genre. Digital Short
Dir. Who knows.

Starring. Natalie, Andy Samberg


Ahh let us analyze the masterpiece that is Natalie Raps. A short film is an elusive and delicate art; one that requires a profound focus in order to manifest its individualized reflexivity and stand alone as a fulfillful work. No short demonstrates this accumulation better than Natalie Raps. It's a bold and intrepid work that is inundated with post-modern realisticism in which Natalie fearlessly declares herself as the true artiste and auteur that she truly is. Truthfully.

Star Wars Episodes I-III
Genre. CGI
Dir. Come on, you know this.
Starring. CGI

At least it's the good Star Warses.


No Strings Attached
(2011)
Genre. comedy
Dir. Ivan Reitman
Starring. Ashton Kutcher, Cary Elwes

I know I shouldn't be condemning films based on their trailers alone, but if we didn't all spend our time passing judgment on things before actually knowing them, we'd be bored to tears. I do have to say despite the constant onslaught of shit that is this trailer, I might have laughed out loud a little when Nats goes, "You look like a pumpkin, bitch." I shall assume that that is the only mildly amusing moment in the whole film.

Sunday, January 2, 2011

Top 5 films you didn't see in 2010

Maybe you were too busy trying to figure out Inception, maybe you couldn't bear to take a break from your Dexter DVD box set, or maybe these just weren't playing at a theater near you. Regardless, you should have seen these films.


5. Waste Land
Genre. Documentary
Dir. Lucy Walker, Karen Harley, Joao Jardim

Starring. Vik Muniz


If you enjoyed Exit Through the Gift Shop but were left with a less than positive outlook on modern art, Waste Land might be just the thing you need to feel the love again. Uplifting and inspiring, Waste Land follows artist Vik Muniz as he embarks on a quest to bring beauty into the lives of a group of people with the most unfortunate job imaginable. They pick trash for a living, spending most of their time trudging through the world's largest landfill, picking out the recyclable materials from the rest of the general waste. These are the materials that Muniz then uses to create their portraits which eventually sell for hundreds of thousands of dollars.

At times it feels a bit contrived, but in the end, Waste Land will make you believe in the power of art to transform the ordinary into the beautiful. It is also successful as an environmental film as it causes us to contemplate the overwhelming amount of trash we produce, without being overly preachy or accusatory. It does not seek to make us feel guilty, but rather it sends a general positive message about the possibility of change. And most of all it's an absolute joy to watch.

4. The Illusionist
Genre. Animation
Dir. Sylvain Chomet


Sometimes we need films to take us out of our ordinary lives and into another world. This is exactly what Sylvain Chomet's The Illusionist does and the world is somehow both beautifully mesmerizing and deeply somber. Adapted from a script by Jaques Tati, The Illusionist tells the tale of an aging magician, struggling to find work in a time where the trends of show business were changing. He meets a young girl who believes whole heartedly in his magic and changes his life. She acts as both his savior and that which destroys him as he stops at nothing to keep his illusions real for her. The result is a melancholic but very touching film.

3. Biutiful
Genre. Drama
Dir. Alejandro Gonzalez IƱarritu

Starring. Javier Bardem

Biutiful is not for the faint of heart. It is a challenging film, but if you're a fan of Innaritu you'll expect nothing less. The story interweaves the lives of several people living in the underbelly of society, doing whatever it takes to survive. Bardem is a tortured father with the unique gift of being able to connect with the after life. This is not so much a gift as a curse, and becomes even more so when he learns his own life is limited. Bardem (as per usual) is fascinating to watch. There aren't really any moments of relief from the tragic lives of these characters, which makes for a difficult viewing experience, but if everything in life were easy...well maybe it wouldn't be quite so Biutiful.

2. Another Year
Genre. Comedy/Drama
Dir. Mike Leigh

Starring. Jim Broadbent, Ruth Sheen, Lesley Manville


Another Year is a heartfelt character study of a loving married couple entering their golden years, highlighting the changes their family and friends experience over the course of a year. Mike Leigh once again offers an insightful look at the intricate dynamics of family relationships and companionship. See this film if for no other reason than for Lesley Manville's exceptional performance as an unmarried and lonely woman desperately trying to hold onto the pretense of happiness. It's a charming and funny film that will make you grateful for whatever friends and family you may be lucky enough to have.

See my full review here.

1. Somewhere
Genre. Drama
Dir. Sofia Coppola
Starring. Stephen Dorff, Elle Fanning

With Somewhere, Sofia Coppola solidifies her position as one of the most uniquely feminine voices in cinema today. They say you should write what you know, so it comes as no surprise that Coppola has written a story about a famous father and his relationship with his young daughter. The entire cast delivers great performances as they bring to life a brilliantly simple script. Although admittedly slow at times, Somewhere is overall poetic and endearing in all of its subtly beautiful moments. It is easily one of my favorite films of this past year.

For a full review, go here.